David Rycroft South Africa Collection
Stylistic continuity- musical examples for paper: Ngibuzwa nguwe.
- Add a note
Log in to add a note at the bottom of this page.
- All notes
- My notes
- Hide notes
-
Sorry, this item is accessible for UK Higher Education and Further Education institutions only. Confirm your institution to obtain access
- Add to playlist
Log in to add this item to one of your personal lists.
- Add to favourites
Log in to add and display this item in your personal list of favourites on the right hand side of this page.
The British Library Board acknowledges the intellectual property rights of those named as contributors to this recording and the rights of those not identified.
Legal and ethical usage »
Type
sound
Duration
00:23:09
Cultures
Zulu
Shelf mark
C811/102
Subjects
Zulu folksongs and dance , home-made guitar songs - Africa (Zulu) , igqongwe
Recording date
1964-05-04
Recording locations
Roadside Mt Ayliff, Cape Province, South Africa
Performers
Toyisa, Johannes T (singer, male, igqongwe)
Recordist
Rycroft, David, 1924-1997
Description
This recording is a part of a collection of musical examples which Rycroft has taken from his field recordings to accompany his paper on continuity in Zulu music (Rycroft, D. 1977. 'Stylistic continuity in Zulu Town Music'. In Essays for a Humanist an Offering to Klaus Wachsmann. New York: The Town House Press, pp. 216-260). This is a dubbing of a recording made in 1964. Johannes Toyisa (14 years old), plays the igqongwe, which is a 'home-made guitar which became popular among Zulu teenage boys, who could not afford to buy a commercial guitar. The body of this instrument is made out of an empty tin can such as a one-gallon kerosene or oil can. The body of the instrument is rectangular with a sound hole. The neck is fretless and is long in comparison to the body. Johannes plays the guitar and sings a song. He uses the I-IV-V chord progressions which are very common in South African Township music.
Metadata record: