Decca West African recordings

Abana lo le re

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African Harmony: *homophonic parallelism in the vocals *Flute plays more broken dyads within the scalar sources and arpegios in addition to scalar improvisations. *Guitar alter nates between parallel dyads, and vamping on chords using a pedal note in the bass while moving two dyads back and forth.

Posted by Daniel Jones, Researcher on 15/03/2019 02:34:00