Hambling, Maggi. (18 of 22). National Life Story Collection: Artists' Lives

  • Add a note
    Log in to add a note at the bottom of this page.
  • All notes
  • My notes
  • Hide notes
Please click to leave a note

The British Library Board acknowledges the intellectual property rights of those named as contributors to this recording and the rights of those not identified.
Legal and ethical usage »

Tags (top 25):
(No tags found for this item)
  • Type


  • Duration


  • Shelf mark


  • Subjects


  • Recording date

    1995-10-24 and 1995-10-27 and 1995-11-13 and 1995-11-21 and 1995-11-28 and 1995-12-11 and 1996-01-26

  • Recording locations

    Interviewee's studio, London, United Kingdom

  • Interviewees

    Hambling, Maggi, 1945- (speaker, female)

  • Interviewers

    Gooding, Mel (speaker, male)

  • Abstract

    Part 18. Pattern of stying with parents during second week of August and painting sunrises on Orwell estuary, Suffolk. Tori Laurence still married, but pair were together during sunrise weeks. Paintings of Laurence; 'Laughing Portrait'; half nude. 1985 Tori Laurence and Maggi Hambling (MH) to Barcelona for a week to look at MirĂ³. 1977, first bullfight MH saw when visiting Madrid to look at work of Goya. Knew before going to Barcelona wanted to go to another bullfight with view to bringing it into her work, details. Has been back to Spain since 1985 but hasn't gone to a bullfight. Since bullfight series hasn't wanted to paint that subject again. David Sylvester's hanging of sunrise and bullfight pictures in 1987 Serpentine show. Minotaur painting in Tate Gallery. Painting of bull mounting a girl grew from reading Minotaur story. 1987 Serpentine show. Gulf women preparing for war. Painting from newspaper photograph of excavation under Royal Mint, important painting in terms of future work although didn't realise it at the time. Responses to Serpentine show. Catalogue essays. Marina Warner. Paul Bailley. Peter Fuller. Alastair Warman. Through sales at Serpentine, MH able to build extra part of house in 1988; description of studio. Being first artist-in-residence at National Gallery helped establish MH, Max Wall paintings at National Portrait Gallery extended this, Serpentine show established MH more within contemporary gallery world.

  • Metadata record:

    View full metadata for this item