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        <dc:title>Reid, Sir Norman (8 of 9). National Life Story Collection: Artists' Lives.</dc:title>
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        <dcterms:abstract>Part 8. Sir Norman Reid [NR] continues discussion of Tate’s finances; competition with other galleries; Matisse’s Escargot would have gone to New York if Tate had hesitated.  Impact of Tate American painting exhibitions; propaganda exercise by American dealers.  Further details Rothko gift.  Difficulty with Henry Moore [HM], who wanted to donate plaster collection permanently to Tate; impossible given space and money; HM offered plasters to Toronto; Lord Perth warned NR he would lose the Moores; NR thinks Tate has good HM representation HM; further problems with HM.  Barbara Hepworth [BH].  Liz Frink.   Tensions between Moore, Hepworth and Gabo.  NR in Barbara Hepworth’s studio shortly before she died; warned Alan Bowness [AB] she was in danger of setting fire to herself; BH’s attitude to her reputation towards end of her life.   NR disliked ‘Family of Man’; AB upset when NR thought late work wasn’t good.  BH’s gift to NR of ‘Magic Stones’.  BH lonely at end of her life; hoped Ben Nicholson [BN] might return; NR doesn’t think BN and BH could have stayed together.  BH and triplets; ran small school.  BN continued to visit Winifred Nicholson [WN] after he left her; said WN the woman who really counted; WN with him when he was ill.  NR knew WN; details of visiting her in her converted Roman fort in Cumberland; description of BN painting of Cumberland, given to NR just before BN’s death.  Professional rivalry between BN and BH.   Further details WN.  Degree to which WN succeeded in making BN a Christian Scientist.  WN’s paintings and BN’s attitude to them; WN’s influence on his paintings; BN said he learnt about colour from WN and form from BH.   Value of a limited palette.  Note written by Adrian Stokes on his own painting, written in 1968 at the time of his last exhibition but never published.</dcterms:abstract>
        <dc:subject>Art</dc:subject>
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