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        <dc:title>Reid, Sir Norman (3 of 13). National Life Story Collection: Artists' Lives.</dc:title>
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        <dcterms:abstract>Part 3. Sir Norman Reid [NR] continues discussion of Gilbert&amp;George [G&amp;G].  Milan show organised by NR; row with David Hockney about exclusion of Kitaj.  Further details G&amp;G.  Ronald Alley [RA] joined Tate shortly after NR; NR on selection panel for new staff, with Anthony Blunt; Richard Morphet’s [RM] interview.  RA, RM and Dr ‘Little’ Brown at Trustees meetings if NR requested.  Brown on staff at Edinburgh, eventually Assistant Keeper at Tate.  Disagreements among Trustees about which art to buy; Trustees’ meeting when faced with four wonderful paintings, all of which they wanted; NR regards his success in this as most effective bit of diplomacy.  NR wouldn’t apply for Tate Directorship until Chairman Colin Anderson told him he must.  NR’s describes his limitations; not a writer or art historian; Tate tradition of painters-turned-directors lost in flood of PhDs, job now narrowly professionalised.    Feelings about Directorship; had twice applied to Edinburgh as Director of National Galleries of Scotland; worked with John Rothenstein [JR] for eighteen years, but JR didn’t support him for directorship.  Difficulties of working with JR; no-one could speak to the press except him; NR set up conservation department, yet JR took most credit; JR “inherited” his father’s friends and enemies.  Degas ‘Dancer’ bought by JR; discusses suggestion that JR “benefited” from this.  Douglas Cooper’s [DC] fractious relationship with JR.  NR inherited books from Graham Sutherland [GS]; book dedicated to GS from DC.  Léger gouache which DC alleged was done by Léger’s mistress.  Lawrence Gowing [LG] contender for the directorship of Tate, becomes keeper of British Collections.  Anthony Lousada.  LG’s qualities; Hogarth exhibition at Tate, LG threatens to withdraw his name from catalogue.</dcterms:abstract>
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